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The ash-leaved maple Acer Negundo came to Europe from North America around 1690, and it seems to feel very much at home here; the tree is widespread. The leaf shape, which is rather unusual for maple trees and is reminiscent of ash leaves, gave this tree its name ash-leaved maple. Its wood is very light-colored and medium-hard, and it is particularly interesting that these trees very often develop burl growth trunks; this more frequent occurrence appears to be a genetic predisposition. While it is rather rare in other trees, burl stems are more common in ash maples, unfortunately usually only at an advanced age, and this development is usually accompanied by a degradation of the wood substance inside the trunk. There is a very impressive 100-year-old ash maple near Berlin, which has a diameter of well over a meter, the inside of the trunk is completely hollowed out, and the trunk, which sprouts again every year, actually consists only of the burl wood under the bark. You can find a few photos of this natural monument in the gallery.
The special feature of ash maple burl is a unique, often fiery red color inside the trunk. This discoloration occurs as the tree tries to defend itself against invading fungi and produces these unusual colors, which can be clearly seen with lines of defense of the healthy wood against fungi and other wood-destroying parasites. In the case of the tree from which these beautiful pieces of burl wood comes, it was as often can be seen: the entire trunk was completely decomposed on the center, only a 15 - 20 cm thick layer of the finest burl wood supported the whole tree, and as a result of a storm this old tree then fell this year.
We were the lucky beneficiaries of this tree fall, the particularly beautiful burl wood is now drying in our warehouses and will probably be dry enough next year to be available in our webshop.
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Sometimes, as a timber merchant, you are simply lucky: in the farthest corner of an old timber store, you can find real treasures that have been lying dormant under a thick layer of dust for many years.
Such a discovery is often like a journey back in time, because you uncover treasures that were nothing so special some fifty years ago, but are now a real rarity that is rarely offered for sale and even more beautiful.
That's what happened to us with this find in France: a few very large, very thick and very dusty slabs of an initially unknown burl wood were found there, and careful attempts at planing revealed a beautiful grain, but what kind of wood it was initially remained in the dark. However, once the smaller boards had been cut in half in width to fit over the jointers width of 45 cms, the joy was great; a beautiful warm golden-yellow wood color emerged, and the grain had a strong three-dimensional effect, looking unreal for a flat surface. With a little white spirit sprayed on, you can get an idea of the deep structure and color that a finished product made from this wood will one day have. A scientific determination of the wood then revealed that it belongs to the Pterocarpus family, to which the red Amboina burl wood also belongs, but in this case it is a wood known as golden Amboyna or Moudui burl, it comes from South East Asia, Thailand and Laos are its natural growth areas. We don't need to emphasize how happy this find and its beauty make us, and we are also delighted to be able to offer this unique feature to our customers all over the world!
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Since we were able to buy a whole horse chestnut trunk about 15 years ago, we have been searching intensively for such wood - unfortunately without success so far. Although horse chestnuts grow in almost every place in Germany and are widespread in forests, their fine wood is hardly ever used, especially not in furniture making.
Chestnut burl wood is certainly one of the most beautiful domestic woods, and it has nothing to hide behind any other burl wood. Its silvery, shiny surface, its extremely fine grain and its beautiful whimpering growth make it a real eye-catcher among domestic woods. In this wood, fungi cause a very noble and wild discoloration, which, for example, in Buckeye Burl, the Californian close relative of our native chestnut, leads to spectacular plays of color in the wood. Our wood has also produced some beautiful plays of color in a light blue-grey, unfortunately not as pronounced. On the other hand, the fine grain is really spectacularly beautiful, with almost no defects or bark ingrowth, and the almost ubiquitous cross-grain and very fine whimper growth give the wood a fine, elegant character. We are delighted to finally have this beautiful wood in our range again.
PS: if you ever see a chestnut with a large burl, or better still a trunk whose entire surface is covered with such burl growth, please get in touch with us, we are very happy to buy such wood and also pay well for the wood or a tip on such wood!
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Sometimes it takes a while to realize how difficult it is to find and buy beautiful burl wood...in this case it took about 10 years.
In 2014 I was able to buy some slabs of a huge burl of elm wood, which is strangely called elm tree while alive, but after felling and sawing the wood is called Rüster here in German. These large slabs are a type of elm wood, which unfortunately I have not yet been able to classify more precisely: there are three types of native elm trees, the wood of which is probably quite different: The fluttering elm or white elm (Ulmus laevis) , the field elm (Ulmus minor, syn. Ulmus campestris) and the the wych elm or Scots elm (Ulmus glabra). Most elm burls are rather coarse-grained, develop strong cracks during drying and typically have large holes, bark and stone ingrowths and other defects that make it difficult to process. Not so these planks cut from a huge burl trunk, whose wood is finely grained, has very few defects, cracks and holes and is generally lighter in color than the red elm heartwood, which is quite dark. I suspect that this wood comes from the fluttering elm, but I am not sure. Expert advice on how to distinguish between these three species on the basis of their wood is very welcome here!
In the meantime, I bought other even larger burls, which turned out to be much more difficult wood. Cracks, bark and stone ingrowths, coarse structure, enormous warping during drying, the whole package of properties that are not appreciated in wood. And now back to 2014: at that time I was able to buy some slabs that came from this above-mentioned batch, and I didn't even realize how lucky I had been with the beautiful and very low-defect quality of this burl. And any sane person would hardly dare to hope that after such a long time, almost exactly ten years, the rest of the burl boards from 2014 would still be available. After a few phone calls, emails, photos and patience, I then realized that the rest of these magnificent burl slabs still existed in an airy attic and I was able to buy this batch for our company Edelholzverkauf. So now you can find plenty of supplies of this beautiful wood in our elm wood category and the supply for the next few years should be secured!
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Even as an old hand in the timber trade with over 40 years of experience, I am always amazed and delighted at the incredible beauty that nature can produce in trees. One of these special beauties is certainly burl growth, the causes of which have still not been fully researched and for which, in my opinion, there is a whole range of causes and aggravating factors, just as there are many different forms of growth abnormalities that are often referred to in layman's terms as burl growth. For me, true burl growth is something that grows above ground on trees, forming new, very fine shoots with small leaves every year, usually in the form of a hemisphere or other round shape, which then die off again and whose remains, the small pointed so-called eyes, are overgrown again by new layers of growing wood. In this way, beautiful, dense and gapless sections of wood are created, the 'eyes' of which form the fine and very fine dot-shaped grains so sought-after in wood.
All these features are present in the thick slabs of wood that were revealed after sawing a yew burl and I must say that I am always amazed by so much beauty, fine grain, swirled and intertwined finest growth rings in this wood. The thick branch on the 5th photo gives an idea of how many annual rings this branch alone has; it has probably been growing for almost 100 years. Take a look at the pictures and I hope you can share my enthusiasm for this special precious wood!
The last photos show in detail the fine shoots under the thin bark of the yew and their appearance in the wood on the planed surfaces.
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Sometimes purchases can take a whole year ... that's about how long it took until we were finally able to buy this rare batch of really old grenadilla or African blackwood scantlings for woodwind instruments.
For some years now, this wood has been very difficult to obtain and has long delivery times, and it needs to dry carefully for at least 5 - 10 years before it can be further processed into components for clarinets, oboes, flutes or bassoons.
This wood has been on the Cites list since 2017 and since then may only be traded with certificates of origin that serve to protect this valuable wood. As this wood only grows endemically in northern Mozambique and southern Tanzania, there are no alternative areas with these trees. In addition, violent clashes between the army and armed fighters have been taking place in this region for years, making legal exports even more problematic. Export ports were temporarily occupied by jihadists, all of which makes the procurement of good tonewood scantlings from Mozambique almost impossible, and instrument makers are forced to use substitute woods, which many musicians and instrument makers do not consider to be of equal quality.
After a long period of preparation and negotiations, we have now been able to purchase this small batch of old tonewood scantlings, CITES permits have been issued for them and our customers can now buy grenadilla that was imported around 8 years ago and has been stored in warehouse conditions ever since.
There are scantlings for piccolo flutes, clarinets, oboes and bassoons, many barrels, bells, upper and lower joints, tops and bottoms are amongst and there are certainly also formats for uilleann pipes and other bagpipes. You will find these offers in our Grenadilla or African blackwood category!

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Even after more than 35 years in the wood business, the bizarre beauty of so-called special grain growth forms, such as this mahogany pommelé, never ceases to amaze.
In France, the term pommelé has become firmly established, which can only be inadequately translated as tufted. In France, as in England, there are many very descriptive terms for such growth abnormalities, which are very rare and therefore traded at a high price. This mahogany from Africa is Sapeli (Entandophragma cylindricum) and it has a really stunningly beautiful special grain that looks three-dimensional and very haptic.
We are delighted to be able to offer our customers something from this special wood and individual pieces will gradually be added to our webshop!
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New in stock: We have some really big Australian burls in stock again and will soon be able to offer the whole range of Aussieburls as penblanks, knife scales and knife blocks in our webshop.
These include:  Goldfield, red Mallee, yellow Box, brown Mallee, red Morrel and others.
The saws are already moaning quietly, as they know what kind of rock-hard wood is coming their way. But so far, our carpenters and the special saws have managed every cut successfully.
And up close, the spiky beasts also look beautiful, you just have to get close enough to see the bizarre beauty of nature!
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During the past ten years, it has become increasingly difficult to obtain Thuya burl wood of good quality. The tubers excavated in the Atlas Mountains in Morocco became smaller and smaller, which meant that the ratio of well-grained wood to plain wood developed very negatively. At the same time, because of the constantly high demand, even the purchase price for this wood increased sharply, and although the prices were sometimes outrageously high, we continued to have this wood in our assortment. For about one to two years, hardly any items were available in our shop made of this wood, simply because the supply at the same time was getting worse and less well grained. Fortunately, we were able to buy a huge thuja burl that is about 50 years old, which was dug up in Morocco mountains at a time when such huge burls still existed.
But as it is almost always the case when you buy such tubers: either they are cut open so that you can examine the quality and grain inside, and then the price is also determined. The other possibility is to buy such a tuber in salvage condition, i.e. not cut open at all, and thus take the high risk of pulling a long face after the first cut, because the inside of the burl may be rotten, full of holes, bumpy, cracked or poorly grained. Then, unfortunately, one has grabbed the sh..t deep for a lot of money.
In this case, however, the whole thing turned out well, the large tuber weighing approx. 120 kg was flawless through and through, perfectly grained and free of cracks. The even distribution of the fine eye grain is really very beautiful, there are hardly any ungrained areas, and as a result we are once again able to supply you with first-class thuja burl wood at fair prices at fair prices!
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For a long time we have been selling cedro from south America and especially Brazil, better known to most users as Spanish cedar. The name is a reflection of the timber trade from the New World to Europe: Spanish vessels were the first to import this pleasant-smelling wood to Europe at the end of the 17th century. The wood, which despite its lightness has a high strength and at the same time smells so beguilingly good, was called cedar because of its fragrance, and since it was Spanish ships that imported the wood, yet the name Spanish cedar was established.
We sell Spanish cedar mostly for humidors in various shapes and sizes, from small humidors for only a few cigars to entire walk-in humidor rooms, often containing thousands of valuable cigars from the most diverse countries. In order to give these precious cigars the best possible protection against loss of aroma, drying out and thus loss of value, genuine Spanish cedar is the acknowledged best wood for storage with particularly good moisture management. But cedro is also the wood of choice for the neck of sophisticated guitars, especially for handcrafted one-off acoustic concert guitars: lightness combined with high bending stiffness and resonance make this wood an indispensable quality feature.
Now, due to a larger order, our stocks were running low and we were glad to be able to take a lot of Cedro of the very best and flawless quality into our tempered warehouse: Such quality is not always available, especially since for some time now this wood has been on the Cites list, meaning that only legal, certified wood with proof of origin may be traded.
Also for guitar builders we have again very beautiful Cedro blanks for guitar necks in stock, often with perfectly standing annual rings and in flawless quality.
Our stock is well filled again and we will gladly supply you with precise blanks in desired thicknesses, lengths and widths. You can find our cerdo items as always in this category, feel free to write us an email for a quote if we do not have your desired dimension in the webshop.

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